The installation I HOPE HE DOESN'T MIND ironically attempts to objectively capture an emotional relationship between two people through methods of statistics. The basis for the course of the colour-coded cords is a unilateral, daily evaluation of the overall mood in the relationship.

Despite the seemingly correct mathematical investigation, a discrepancy arises between the recorded mood and the overall picture formed by memory. Thus the work strives for an "objective truth", but admits to temporal and emotional distortions.